Projects

Vem Bär Vad?

Vem Bär Vad?

2011

A5 investigated the public and private ways in which everyday people express themselves though an open call invitation for individuals to donate a pair of their underwear as well as photographs of their personal jewelry. The photographs and undergarments were then exhibited in April of 2011 in the Centrifug room at Konsthall C in Stockholm Sweden.

Photo

Photo

2010

A selection of images from an ongoing project that investigates jewelry and the photographic format. “Photo” utilizes the camera as the sole instrument for the creation of jewelry. The entire project can be viewed by clicking HERE

 

 

 

Casebok

Casebok

2010

The art organization Valeveil invited A5 to work with Los Angeles photographer Sidonie Loiseleux and create a discussion through photographs and objects, that were ultimately featured in the publication Casebok. Casebok can be viewed online HERE. 

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Shop

Nr #6

100€

 

Necklace: L:55 W:72 D:55 mm. (pendant size) Material: Wood, Felt, Twine

Nr #5

100€

SOLD

 

Necklace: L:150 W:80 D:40 mm. (pendant size) Material: Wood, Veneer, Lacquer, Twine

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News

A5 at Oslo national academy of the Arts

02/10/2014

A5 will be in Oslo to give a lecture at Oslo national academy of the Arts. A5 extends a warm thanks to professor Anders Ljungberg for the invitation.

Contact

Lövholmsgränd 12

117 43 Stockholm

Sweden

 

(+46) 0707 70 79 22

A5 was formed in 2008 with the idea of connecting three artists whom shared a similar vision. Annika Pettersson, Romina Fuentes, and Adam Grinovich met while studying at the Adellab/metalformgivning department at Konstfack University. Each member maintains a career as a professional artist in the field of contemporary jewelry. A5 has since served as a forum for creative discussion and international cross-disciplinary collaboration.

 

A5 has worked on a variety of projects with the main goal of establishing connections with as many diverse fields as possible. It is extremely important for A5 to promote work to a large audience, collectively and individually we feed off of the viewpoint of the viewer, the relationship between objects, images, and individuals.